First Impressions | 2021-present

First Impressions is an ongoing print and print installation series that reimagines the U.S. accessible parking placard. It utilizes a variety of printmaking techniques, including intaglio, relief, monotype, and blind embossment, as well as hand embroidery.

The inspiration for this work stemmed from a desire to explore the nuances of disability in/visibility and the spectrum of experience that exists both between and within individuals. By reinterpreting and recontextualizing the iconic parking placard, the series aims to subvert the reductive, monolithic conceptions of disability this symbol has come to represent, instead reflecting the inherently fluid nature of disability as a multifaceted experience in constant flux. 

The materials and processes used in the series are deeply symbolic of these themes. Repurposing copper and linoleum scraps for the figurative plates allows the surface imperfections to become a feature, rather than a flaw of each print—an embodiment of the beauty found in bodies too often marked as broken and disposable. Incorporating blind embossment of various medical tools and mobility aids emphasizes how the presence or absence of such icons of disability can radically change external perceptions, even when one’s core identity remains the same—disability is dynamic and not always visible. 

The various installations of this series, each featuring different prints in different configurations, further serve to illustrate the fluidity of the disability experience and its impact on identity. Just as no two prints are alike, no two installations are alike, nor are two experiences of disability alike, nor two different days with the same, dynamic disability. Thus, in all its evolving forms and configurations, First Impressions invites viewers to reflect on our diverse realities, embracing both the visible and invisible aspects of disability in all its complexity.

Installations of First Impressions have been exhibited at SITE Santa Fe, La Chancla Gallery in Albuquerque, NM, Yellow Dog Art Bar in Denton, TX, and at The Art Galleries at Austin Community College in Print Austin’s The Contemporary Print show, where it was awarded Best in Show. The work has also been published in issue #5 of SICK magazine.

The fourth installation of First Impressions was included in SITE Santa Fe’s 2023 SITE Scholars exhibit and featured 132 unique placard prints.

A print installation comprised of a grid of multicolored prints shaped like accessible parking placards. Each print is unique and features a disabled figure in different positions, some with embossed mobility aids and colorful embroidery.
A close up image of First Impressions, Installation IV showing a grid of multicolored prints shaped like accessible parking placards.

First Impressions (Installation IV), 2023

Print installation of monoprints on paper with embossment and embroidery.

10’ 9.5” x 5’ 4”

Photo by Eliza Lutz

Detail: First Impressions (Installation IV); photo by Eliza Lutz

A non-binary person with cropped red hair wears a black puffy coat, a yellow scarf, and has a double hip brace on. They are standing with their black walking stick and smiling next to their print installation.

The fifth installation of First Impressions featured 88 unique prints and was awarded Best in Show at Print Austin’s The Contemporary Print show in 2025.

Detail: First Impressions (Installation V); photo by David Allen

A print installation comprised of a grid of multicolored prints shaped like accessible parking placards. Each print is unique and features a disabled figure in different positions, some with embossed mobility aids and colorful embroidery.

First Impressions (Installation V), 2025

Print installation of monoprints on paper with embossment and embroidery.

7’ 2” h x 5’ 3.5 w”

Photo by David Allen

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